|
Titre :
|
Paul McCarthy
|
|
Auteurs :
|
New museum of contemporary art (New York), Auteur ;
MOCA - Museum of Contemporary Art of Los Angeles (Los Angeles), Auteur ;
Lisa Phillips, Préfacier, etc. ;
Dan Cameron, Auteur ;
Amelia Jones, Auteur ;
Anthony Vidler, Auteur
|
|
Type de document :
|
texte imprimé
|
|
Editeur :
|
Ostfildern : Hatje Cantz, 2000
|
|
ISBN/ISSN/EAN :
|
978-3-7757-0949-1
|
|
Format :
|
257 p. / Broché ; ill. coul. et n.b. / 27 cm
|
|
Langues:
|
Anglais
|
|
Index. décimale :
|
B (Monographies)
|
|
Catégories :
|
EXCREMENT
;
INSTALLATION
;
McCARTHY Paul
;
SEXUALITE
;
VIDEO
|
|
Résumé :
|
Working from a pioneering fusion of sculpture and conceptually based performance, Paul McCarthy is one of the most influential, yet least recognized artists in the U.S. today. While his architecural installations incorporating video and performance artifacts have received critical and curatorial attention during the present decade, few viewers are familiar with his artistic evolution, or with the impact his work has had on two generations of Los Angeles artists.
This publication, covering about 400 works from all areas of his activity, gives an exemplary insight into McCarthy's works from the early 1970s up to the present day. Experts on his work give comprehensive descriptions and analyses of the American artist's performances and installations, examine the unique ties between his works and cinema, and explore the dialogue between New York and Los Angeles, particularly in the formulation and development of conceptual art. [hatjecantz.de]
|
|
Note de contenu :
|
Bio/bibliographie
|
|
Edité à l'occasion de l'exposition :
|
New York, New Museum of Contemporary Art, du 22 février au 13 mai 2001 ; Los Angeles, Museum of Contemporary Art, du 12 novembre 2000 au 21 janvier 2001
|
