Titre :
|
Art and China after 1989 : Theater of the world [exhibitions ; New York, Solomon R./ Guggenheim Museum, October 6 , 2017 - January 7, 2018 ; Guggenheim Museum Bilbao, May 11 -September 23, 2018 ; San Francisco Museum of Modern Art, November 20, 2018 - February 24, 2019]
|
Auteurs :
|
Guggenheim Museum New York, Auteur ;
Alexandra Munroe ;
Philip Tinari ;
Hou Hanru ;
Anthony Yung, Auteur ;
Jane DeBevoise, Auteur ;
Xiaorui Zhu-Nowell, Auteur
|
Type de document :
|
texte imprimé
|
Editeur :
|
New York : Guggenheim Museum Publications, 2017
|
ISBN/ISSN/EAN :
|
978-0-89207-528-7
|
Format :
|
1 vol. (324 p.) / relié, ill. coul. / 29 cm
|
Note générale :
|
Documentation comprenant : chronologie d'expositions, liste d'artistes, bibliogr.
Index
|
Langues:
|
Anglais
|
Index. décimale :
|
ME (Mouvements par pays)
|
Catégories :
|
AI Weiwei
;
ANNEES 90
;
ART CONTEMPORAIN CHINOIS
;
ASIE
;
BIG TAIL ELEPHANT GROUP
;
CAI Guo-Qiang
;
CAO Fei
;
CHEN Chieh-Jen
;
CHEN Shaoxiong
;
CHEN Zhen
;
CHINE
;
DING Yi
;
FENG Mengbo
;
GENG Jianyi
;
GU Dexing (ou Dexin)
;
GU Wenda
;
HONG Hao
;
HSIEH Tehching
;
HUANG Rui
;
HUANG Yong Ping
;
KAN Xuan
;
KOOLHAAS Rem
;
KWAN Sheung Chi
;
LI Shan
;
LIANG Juhui
;
LIN Tianmiao
;
LIN Yilin
;
LIU Dan
;
LIU Xiaodong
;
LIU Zheng
;
MORRIS Sarah
;
NEW MEASUREMENT GROUP
;
PAU Ellen
;
QIU Zhijie
;
SHEN Yuan
;
SONG Dong
;
SUN Yuan & YU Peng
;
TACTILE SENSATION GROUP
;
WANG Gongxin
;
WANG Guangyi
;
WANG Jianwei
;
WANG Xingwei
;
WANG You Shen
;
WU Shanzhuan
;
XIAO Lu
;
XIJING MEN
;
XU Bing
;
XU Bing & AI Weiwei
;
XU Tan
;
XU Zhen
;
YAN Lei
;
YANG Fudong
;
YANG Jie Chang
;
YANG Zhenzhong
;
YIN Xiuzhen
;
YU Hong
;
YU Youhan
;
ZENG Fanzhi
;
ZHANG Hongtu
;
ZHANG Peili
;
ZHANG Xiaogang
;
ZHAO Bandi
;
ZHENG Guogu
;
ZHOU Tiehai
;
ZHU Jia
|
Résumé :
|
Art and China after 1989 presents work by 71 key artists and groups active across China and worldwide whose critical provocations aim to forge reality free from ideology, to establish the individual apart from the collective, and to define contemporary Chinese experience in universal terms. Bracketed by the end of the Cold War in 1989 and the Beijing Olympics in 2008, it surveys the culture of artistic experimentation during a time characterized by the onset of globalization and the rise of a newly powerful China on the world stage. The exhibition’s subtitle, Theater of the World, comes from an installation by the Xiamen-born, Paris-based artist Huang Yong Ping: a cage-like structure housing live reptiles and insects that coexist in a natural cycle of life, an apt spectacle of globalization’s symbiosis and raw contest.
|
Edité à l'occasion de l'exposition :
|
New York, Solomon R./ Guggenheim Museum, October 6 , 2017 - January 7, 2018 ; Guggenheim Museum Bilbao, May 11 -September 23, 2018 ; San Francisco Museum of Modern Art, November 20, 2018 - February 24, 2019
|