| Titre : | Dance |
| Auteurs : | Whitechapel Art Gallery (Londres) ; André Lepecki, Editeur scientifique |
| Type de document : | texte imprimé |
| Editeur : | Londres : Whitechapel Art Gallery, 2012, cop. 2012 |
| Autre Editeur : | Cambridge : The MIT Press - Massachusetts Institute of Technology |
| Collection : | Documents of Contemporary Art |
| ISBN/ISSN/EAN : | 978-0-262-51777-5 |
| Format : | 1 vol. (238 p.) / broché, couv. ill. / 21 cm |
| Note générale : | biogr. ; Bibliogr. ; Index |
| Langues: | Anglais |
| Index. décimale : | D (Danse, design, mode, mobilier) |
| Catégories : | ABRAMOVIC Marina ; ANTHOLOGIE ; BAUSCH Pina ; BECKETT Samuel ; BEL Jérôme ; BORO Seydou ; BROWN Trisha ; BURROWS Jonathan ; BUTCHER Rosemary ; CAGE John ; CHARMATZ Boris ; CHATTERJEA Ananya ; CHOREGRAPHIE ; CUNNINGHAM Merce ; DANSE ; Danseurs, chorégraphes ; DEUFERT Kattrin ; DUNN Douglas ; FABRE Jan ; FIADEIRO Joao ; FORSYTHE William ; FORTI Simone ; FREIRE Bruno ; HALPRIN Anna ; HAY Deborah ; HIJIKATA Tatsumi ; HOGHE Raimund ; HOUSTON-JONES Ishmael ; INGVARTSEN Mette ; JONAS Joan ; JONES Bill T. ; KASAI Akira ; KAZUO Ohno ; KLUNCHUN Pichet ; LA RIBOT ; LE ROY Xavier ; LEHMEN Thomas ; LEMON Ralph ; MANTERO Vera ; MONNIER Mathilde ; MOUVEMENT ; OITICICA Hélio ; PAPE Lygia ; PAXTON Steve ; PERFORMANCE ; PIPER Adrian ; PLISCHKE Thomas ; RAINER Yvonne ; RIZZO Christian ; RODRIGUES Lia ; SEHGAL Tino ; SHARIFI Hooman ; STUART Meg |
| Résumé : | Dance - because of its ephemerality, corporeality, precariousness, scoring, and performativity - is arguably the art form that most clearly engages the politics of aesthetics in contemporary culture. Dance's ephemerality suggests the possibility of an escape from the regimes of commodification and fetishization in the arts. Its corporeality can embody critiques of representation inscribed in bodies and subjects. Its precariousness underlines the fragility of contemporary states of being. Scoring links it with conceptual art, as language becomes the articulator for possible as well as impossible modes of action. Finally, because dance always establishes a contract, or promise, between its choreographic planning and its actualization in movement, it reveals an essential performativity in its aesthetic project - a central concern for both art and critical thought in our time. |
| Note de contenu : | Contributions de : Giorgio Agamben, Sally Banes, Barbara Browning, Bojana Cvejic, Gilles Deleuze, Peter Eleey, Susan Leigh Foster, Sondra Fraleigh, Mark Franko, Andrew Hewitt, Bojana Kunst, Henri Lefebvre, Boyan Manchew, Tamah Nakamura,Jean-Luc Nancy, Halifu Osumare, Jeroen Peeters, Marten Spangberg, Luc Van den Dries, Myriam Van Imschoot, Pascale Weber. |
Exemplaires (1)
| Code-barres | Cote | Support | Localisation | Section | Disponibilité |
|---|---|---|---|---|---|
| 21250 | D / DAN | Livre | Centre de documentation | Danse, design, mode, mobilier | Exclu du prêt |