|Titre :||Reykjavik Slides : (31,035) Every View of a City|
|Auteurs :||Dieter Roth, Auteur|
|Type de document :||texte imprimé|
|Editeur :||Londres : Hauser & Wirth, 2011|
|Format :||Non paginé / ill. / 30 cm|
|Index. décimale :||B (Monographies)|
|Catégories :||LIVRE D'ARTISTE ; ROTH Dieter|
Throughout his career, Dieter Roth worked with great breadth and diversity. He was a composer, musician, poet and writer as well as an artist, consciously obliterating categories and hierarchies and, through his collaborations with other artists, subverting the principle of authorship. Hauser & Wirth is delighted to present Roths monumental project Reykjavik Slides, on view at Hauser & Wirth London, Savile Row until 30 April 2011.
Featuring 31,035 slides shown simultaneously on multiple projectors, Reykjavik Slides was inspired by the distinctive character of Icelandic architecture and documents every building in the capital. Made with the assistance of Pál Magnússon and the artists two sons, Björn and Karl, the work is a comprehensive survey, drawing ones attention to the subject matter of the project, rather than the role of the artist.
In his work from the 1960s and 1970s, Roth liberated himself from formal and linguistic conventions. He pursued the belief that life was art, achieving this through a decision to give all things, however insignificant or unappealing, equal importance. With projects such as SNOW (1963 69), a book project that involved the photographing and experimental printing of every object with which Roth came into contact; and Flacher Abfall (Flat Waste) (1975-76 / 1992), a collection of neatly and chronologically archived items less than a third of an inch thick, Roths strict avoidance of hierarchy developed a unique preservation of the ephemera of his life. These projects advanced a poetic of everyday meaningfulness: every slip of paper is touching, Roth said; each day or thing sings its song.
With Reykjavik Slides, Roth used this same didactic approach to create an homage to Iceland. The works numerous images present an act of dedication to the singularity of Reykjavik, Roths home since 1957 and, in seeing every building as worthy of admiration, Roth allowed life itself to communicate as art. [hauserwirth.com]
|Note de contenu :||Publication based on a booklet first published by Dieter Roth in 1995 in an edition of 90. This booklet has been re-published on occasion of the exhibition at Hauser & Wirth London, Savile Row, 2011.|
|Edité à l'occasion de l'exposition :||Londres, Hauser & Wirth, du 17 mars au 30 avril 2011|
|15264||B / ROT||Livre||Centre de documentation||Monographies||Exclu du prêt|