Titre : | Parkett, 55 - juin 1999 |
Type de document : | Bulletin : texte imprimé |
Paru le : | 01/06/1999 |
Année de publication : | 1999 |
Langues: | Français |
Catégories : | RUSCHA Ed ; SLOMINSKI Andreas ; TAYLOR-WOOD Sam |
Résumé : |
Ruscha throws out connections and images that initially look controlled, even cold, and then you realizenone of it makes any sense, in the accepted sense of the word. Theyre about finding new meanings in things, about seeing something fresh in the dullest or most contained of spaces. You wont ever get it, if getting it is what you want.
Jennifer Higgie And so we gaze at the Slominski traps, at some point we suddenly see that they are indeed peculiar, very strange objectsstrange, that is to say, from an artistic point of view. The really strange, peculiar thing about them is their ever taut, ever perilously enticing beauty which does not really seem to be geared towards our synaesthetic sensibilities but towards the sensory capacities of rats, grouse, or orange slugs (and how to outwit these). Patrick Frey Not only does Sam Taylor-Wood construct a seamless yet heterogeneous space, in which people are both in close proximity, yet also infinitely distant, because, though in a mutually shared space, they inhabit another site: the scene of their private theater. Her photographic presentation is such that, even as it elicits our desire for narrative, it frustrates our hope for narrative coherence and closure. Elisabeth Bronfen [parkettart.com] |
Exemplaires (1)
Code-barres | Cote | Support | Localisation | Section | Disponibilité |
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12248 | P / PAR | Périodique | Réserve | Périodiques | Exclu du prêt |