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MOCA - Museum of Contemporary Art of Los Angeles (Los Angeles), Auteur ; Richard Koshalek ; Kerry Brougher, Préfacier, etc. | Chicago : Donald Young Gallery | 1989The exhibition, dedicated to the Russian Constructivist, Vladimir Tatlin, consisted of thirty-nine fluorescent light sculptures and fifty-eight drawings created between 1964 and 1982.
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MOCA - Museum of Contemporary Art of Los Angeles (Los Angeles), Auteur ; MoMA - Museum of Modern Art (New York), Auteur ; William Rubin, Préfacier, etc. ; Yve-Alain Bois, Auteur | New York : Rizzoli | 1991Ad Reinhardt was a retrospective exhibition organized jointly by MOCA and the Museum of Modern Art, New York. Richard Koshalek organized the exhibition for MOCA, with assistance from Alma Ruiz. The exhibition featured ninety-four paintings, goua[...]
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MOCA - Museum of Contemporary Art of Los Angeles (Los Angeles), Auteur ; Paul Schimmel, Auteur ; Lisa Phillips, Auteur | Los Angeles : MOCA | 1998Charles Ray was the first comprehensive survey to be presented in the United States of the artist's work. Curated by Paul Schimmel, the exhibition featured approximately thirty-five works of sculpture, photography and film from 1973 to 1998. [mo[...]
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MOCA - Museum of Contemporary Art of Los Angeles (Los Angeles) ; Thomas Crow ; Ann Goldstein ; Madeleine Grynsztejn ; Gary Indiana ; Jim Lewis | Los Angeles : The Museum of Contemporary Art | 1998Christopher Wool was the first major survey of the artist's work in the United States and included fifty-five paintings and works on paper dating between 1986 and 1998. The exhibition was curated by Ann Goldstein, who worked closely with the art[...]
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Museum of Contemporary Art Chicago (Chicago), Auteur ; MOCA - Museum of Contemporary Art of Los Angeles (Los Angeles), Auteur ; Amanda Cruz, Auteur ; Elizabeth A. T. Smith, Auteur ; Amelia Jones, Auteur | Paris : Thames & Hudson | 1998Cindy Sherman: Retrospective was co-organized by MOCA and the Museum of Contemporary Art, Chicago (MCA). The exhibition was the artist's largest mid-career survey and included 156 works created between the mid-1970s and 1997. [moca.org]
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Paul Schimmel, Directeur de publication, rédacteur en chef ; MOCA - Museum of Contemporary Art of Los Angeles (Los Angeles), Auteur | New York : Skira Rizzoli Publications | 2012The first book to take a transnational view of destruction in abstract painting of the postwar period. Painting the Void: 1949–1962 focuses on one of the most significant consequences of the rise of gestural abstraction in twentieth-century pa[...]
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MOCA - Museum of Contemporary Art of Los Angeles (Los Angeles), Auteur ; Ann Goldstein, Commissaire d'exposition ; Jean-François Chevrier, Commissaire d'exposition | Los Angeles : MOCA | 1991A Dialogue about Recent American and European Photography contained approximately fifty works by five American and five European artists. Co-curated by Ann Goldstein and independent curator Jean-François Chevrier, the exhibition featured works b[...]
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MOCA - Museum of Contemporary Art of Los Angeles (Los Angeles), Auteur ; John Yau, Auteur | Los Angeles : MOCA | 1996Ed Moses: a Retrospective of the Paintings and Drawings, 1951-1996 represented the first comprehensive survey of the artist's career. Organized by guest curator John Yau and MOCA project director Alma Ruiz, the exhibition included sixty of the a[...]
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Hirshhorn Museum and Sculpture Garden (Washington), Auteur ; MOCA - Museum of Contemporary Art of Los Angeles (Los Angeles), Auteur ; Amanda Cruz ; Russell Ferguson ; Ann Goldstein ; [et alii.] | Los Angeles : MOCA | 1994Traveling: Félix González-Torres was the first major museum exhibition of the artist's work and was jointly organized by MOCA; the Hirshhorn Museum and Sculpture Garden, Washington, D.C.; and The Renaissance Society at the University of Chicago.[...]
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MOCA - Museum of Contemporary Art of Los Angeles (Los Angeles), Auteur ; Ann Goldstein ; Mary Jane Jacob ; Anne Rorimer ; Howard Singerman | Cambridge : The MIT Press - Massachusetts Institute of Technology | 1989A Forest of Signs documents a major exhibition of critical art in the last decade, one that marks a change in the art world, perhaps even in the broader culture. The thread of representation ties together the work of the 30 artists included in t[...]
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MOCA - Museum of Contemporary Art of Los Angeles (Los Angeles), Auteur ; Donna De Salvo, Commissaire d'exposition ; Paul Schimmel, Commissaire d'exposition | New York : Rizzoli | 1992Hand-Painted Pop: American Art in Transition 1955-1962 was curated by Paul Schimmel and Ahmanson Curatorial Fellow Donna De Salvo. The exhibition included the work of twenty-one artists that traces Pop Art's earliest beginnings and its relations[...]
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MOCA - Museum of Contemporary Art of Los Angeles (Los Angeles) ; Paul Schimmel, Commissaire d'exposition ; Catherine Gudis, Directeur de publication, rédacteur en chef | Los Angeles : The Museum of Contemporary Art | 1992Helter Skelter: LA Art in the 1990s, curated by Paul Schimmel and coordinated by Alma Ruiz, featured sixteen visual artists and ten writers from throughout the Los Angeles area. Although different in medium, many of the same themes, such as alie[...]texte imprimé
MOCA - Museum of Contemporary Art of Los Angeles (Los Angeles) ; Brent Zerger, Préfacier, etc. | Los Angeles : MOCA | 1994
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MOCA - Museum of Contemporary Art of Los Angeles (Los Angeles), Auteur ; Russell Ferguson, Editeur scientifique | Los Angeles : MOCA | 1994Hirokazu Kosaka: In the Mood was curated by Julie Lazar as part of MOCA's Focus Series. The single-gallery installation was inspired by an earlier performance work, Amerika Maru, in which Kosaka addressed the immigrant experience and its role in[...]
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MOCA - Museum of Contemporary Art of Los Angeles (Los Angeles) ; Julia Brown Turrell, Commissaire d'exposition ; Howard Singerman, Editeur scientifique | New York : Abbeville Press | 1986Individuals: A Selected History of Contemporary Art, 1945-1986, was curated by Julia Brown Turrell with the assistance of Kerry Brougher. The show consisted of 428 works by seventy-seven artists that represented the evolution of contemporary art[...]
